Daya Sagar Tv Serial
| Look up daya in Wiktionary, the free dictionary. |
Daya may refer to:
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Religion[edit]
- Daya (Sikhism), the concept of compassion in Sikhism
- Daya (Hinduism), the concept of compassion in Hinduism
- Similarly, karuṇā is the concept of compassion in Buddhism and anukampā is emphatic compassion or benevolence
Media and music[edit]
- Daya (film), a 1998 Malayalam film
- Daya (EP), a 2015 recording by the American singer Daya
- Daya, a Malayalam TV serial starring Kalaranjini
- Daya Sagar, a 1978 Telugu film directed by A. Bhimsingh
Places[edit]
- Daya, Zanzibar, a village on the island of Pemba
- Daya, a historic Sumatran kingdom conquered by Ali Mughayat Syah in the 16th century
- Daya Bay, on the south coast of Guangdong Province, China
- Daya, Taichung, a suburban district in Taichung, Taiwan
- Daya Nueva, a municipality in Alicante Province, Valencian Community, Spain
- Daya River, in Orissa, India
- Daya Vieja, a municipality in Alicante Province, Valencian Community, Spain
People[edit]
- Daya (singer) (born 1998), American singer-songwriter
- Daya, courtesy name for Shi Hong (313–334), Chinese Emperor of Later Zhao
Given name[edit]
- Daya Bai, Indian social activist
- Daya Singh Bedi (1899–1975), Indian diplomat and officer in the British Indian Army
- Daya Ram Dahal, Nepalese film director
- Daya Gamage, Sri Lankan politician and businessman
- Daya Kishore Hazra, Indian doctor
- Daya Bir Singh Kansakar (1911–2001), Nepalese social worker
- Daya Krishna (1924–2007), Indian philosopher
- Daya Master (born 1956), Sri Lankan Tamil media spokesman
- Daya Mata (1914–2010), American spiritual teacher and leader
- Daya Rajasinghe Nadarajasingham (born 1948), Sri Lankan sports shooter
- Daya Shankar Kaul Nasim (1811–1845), Indian Urdu-language poet
- Daya Nayak, Indian police officer
- Daya Shankar Pandey (born 1965), Indian film and television actor
- Daya Pathirana (died 1986), assassinated Sri Lankan student leader
- Daya Pawar (1935–1996), Indian author and poet
- Daya Perera (died 2013), Sri Lankan diplomat and lawyer
- Daya Ratnasooriya, Sri Lankan zoologist
- Daya Ratnayake, Sri Lankan Army commander
- B. S. Daya Sagar (born 1967), Indian mathematical geoscientist
- Daya Ram Sahni (1879–1939), Indian archaeologist
- Daya Rathnayake, 2005 recipient of the Sri Lanka Sikhamani, a national honor
- Daya Sandagiri, Sri Lankan Navy commander
- Daya Shankar, Indian cricketer who played 1943–44
- Daya Shankar (IRS officer), officer of the Indian Revenue Service
- Daya Shetty (born 1969), Indian model and actor
- Daya Singh (1661–1708), one of the first five Sikhs in the Khalsa order
- Daya Singh Sodhi (born 1925), Indian politician
- Daya Vaidya (born 1980), Nepalese-American actress
- Daya Vati (1534–1581), Punjabi Sikh Guru
- Daya-Nand Verma (1933–2012), Indian mathematician
- Daya Weththasinghe, 2005 recipient of the Sri Lanka Sikhamani, a national honor
- Daya Wiffen (born 1983), New Zealand netball player
Surname[edit]
- Ahmad ibn Yusuf ibn al-Daya (835–912), Arab mathematician
- Ali Daya (fl. 1030–1040), Tajik commander
- Houda Ben Daya (born 1979), Tunisian judoka
- Hugo Daya (born 1963), Colombian cyclist
- Kawkab Sabah al-Daya (born 1962), Syrian environmental minister
- Navasha Daya, vocalist and original member of American band Fertile Ground
- Pradnya Daya Pawar (born 1966), Indian Marathi-language poet and writer
- Sheraz Daya, British ophthalmologist
- Wen Daya, 7th-century Chinese writer who recorded the Battle of Huoyi in detail
Fictional[edit]
- Datu Daya, a legendary tribal chief in the Philippines
- Daya (Senior Inspector), a character in the Indian TV series CID
- Daya Diaz, a character on the American TV series Orange Is the New Black
Other[edit]
- Daya, a 2016 tropical storm in the Indian Ocean
- Daya Aviation, a domestic Sri Lankan airline
- Daya, nickname for the Israeli Air Force 192 Squadron
See also[edit]
- Dayah, a settlement in Ras al-Khaimah, United Arab Emirates
The first time is atop the hill at Film City. A flushed, morning-after face emerges from a shiny black Pathan suit. There is something puzzlingly familiar about the rosy face.
An out-of-context feel about character actor Arun Bali, who drops by for a chat this bright morning as the Mahabharat unfolds on the pinnacle - the Pandavas in full armour, dangling monster pearls and tired ringlets.
| With a dozen serials on the air and more on the anvil the assembly line clearly is humming. |
No, not any sermon on the Mount: Ravi Chopra is materialising leftover bits and etceteras of Mahabharat - his father B.R. Chopra's magnum opus - for a sort of Mahabharat Revisited to grace our small screens this month. Well, it will be called Mahabharat Katha and will be even longer, there being nothing so rude as The End to signal pack-up to the epics.
The second time is later that night in Swati Studio on the outer fringes of Mumbai, for the time being Lord Shiva's mountain abode confected out of thermocol, doctor's cotton and tonnes of iodised salt. The shocking-pink silk dhoti and golden shield-clad god, hanging round the sets of Dheeraj Kumar's Om Namah Shivay and waiting for dinner, is Bali dolled up as Parvati's father.
| The newest macho gods have the lean and hungry look: Samar Jai Singh as Karna (left); and Lord Shiva (right). |
And the third, the next afternoon, in the minimalist office of Crest Communications in uptown Mumbai: out he pops from the tube as Brahma. Benignly smiling in a Santa Claus-cotton candy beard, shimmering crown and armlets, Bali emerges from an upwardly mobile lotus, while his suspended-in-ether voice fills the screen.
The long-tressed, twenty-something executive producer is showing the pilot of Jai Ganesha, directed by Sunil Agnihotri for special effects guru and computer whiz Shyam Ramanna of Crest. What the heavens is the eponymous Bali doing? Well, he's god-hopping. Like many other suddenly over-employed actors on the fast-moving mythological track today.
While Bali may confuse his lines - one day he is Parvati's papa, the next day Ravana's dad and the third, Brahma or some bearded sant - Suraj Chaddha is getting a split personality playing Parvati's brother in Om Namah Shivay and Krishna in Chandraprakash Dwivedi's Ek Aur Mahabharat.
Dharmesh Tiwari is luckier: he is Narad not only in Gulshan Kumar's new series Shiv Mahapuran but also in seven other TV serials and films. That is, of course, when he is not playing John the Baptist in Vijay Chandran's Daya Sagar, the TV series on the life of Christ.
Welcome to the God Factory.
It is now working overtime churning out gods, goddesses, demons and apsaras, even saints and sinners in Mumbai, Hyderabad, Delhi and Chennai. Producers are frantically turning the pages of the Vedas, Puranas, Upanishads, the Bible, Jataka tales, epics or even the Amar Chitra Katha for new stories and leftover gods. And if they don't find any new gods, they clone those already aired.
Like Noah's ark, they seem to be coming in twos. There are two Shivas (Shiv Mahapuran and Om Namah Shivay); two Hanumans (Jai Hanuman and Jai Veer Hanuman); two brand new Mahabharats (Mahabharat Katha and Ek Aur Mahabarat). There are almost a dozen mythologicals on the air and scores in the pipeline.
In fact, there are at least eight proposals, half of them with canned pilots, for a series on the god of good beginnings: Ganesh. Even movie mogul Subhash Ghai was keen on producing a TV series on Ganesh, as was Ashok Amritraj in Chennai.
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And, not having had his fill of the costume drama, Sanjay Khan, who is only midstream with his Jai Hanuman, has announced his next feature film, Maryada Purshottam Ram. In fact, three new assembly-line mythological films have already come out of Gulshan Kumar's personal God Factory, and there's more to come from his in-house god-spinner, Uday Shankar Pani.
| Confusing changeovers: Arun Bali plays Parvati's father in Om Namah Shivay (left); and Ravana's father (right) in Jai Hanuman. |
Studios in the south are turning out moving calendar images of the gods in assembly-line productions. The busiest is Padmalaya Studios in Hyderabad with Daya Sagar, Luv and Kush, and Jai Veer Hanuman.
Ganesh Mahima and Vishnupurana are also being made in Hyderabad. Chennai is not far behind with K. Hariharan's (on the life of Alwar, a Vaishnavite saint), Sun TV's Ramayanam, there is also Sabdaalaya's film of the same name with N.T. Ramarao's grandson as Ram and Krishnaswamy Associates' Buddha Jathakam.
God-hopping also requires some city-hopping. Parveen Kumar (6 ft 7 inches), the former Olympic discus thrower and BSF commander, who looks like a cross between the Jolly Giant and a Tarzan on hormones, commutes between Delhi and Mumbai where he dons a flowing-white attire and long locks to play Bhim in round two of the Chopra Mahabharat.
The Delhi-Mumbai run is also for Bali: yet more pilots on Lord Vishnu and Sheer Sagar Ravi Das are being made in the capital, he says. And, of course, Tiwari shuttles between Hyderabad, where Daya Sagar is being made, and Mumbai and Lord Shiva.
On his non-acting days, Tiwari directs his own mythologicals. He has just finished a feature film, Sati Anusuya, with Reena Roy in the lead role. Actually, godland is the place for second comings. Good actresses become goddesses before they fade away, especially if they are doe-eyed and round-cheeked: a trishul-holding Hema Malini is in revenge mode in the film, Jai Bhaktavar Maa.
Even faded actors - being doe-eyed helps here too - get resurrected: Biswajit is playing Lord Vishnu in a forthcoming TV serial, Sri Ganesh. And not one to miss this gravy train, Jeetendra is making - and starring in - the film Luv and Kush with Jayaprada playing Sita to his Rama.
The mythological makers who had put their wands away have got a fortuitous second wind: Babubhai Mistry, the special effects wizard with 56 mythological films behind him, is now directing Shiv Mahapuran: he casts his pretty-featured gods from Raja Ravi Varma's paintings.
Chandrakant Gora, who has half a century of filmmaking behind him, stopped making mythological films in 1986; he went back to the pantheon of Hindu gods for Maa, the new series on goddesses; and is currently helping Dheeraj Kumar make Om Namah Shivay.
And so it goes down the line: Chaggan Bhai, formerly dressmaker Chhotu Bhai's assistant, is now on his own. Not only does he have enough to keep him in clover by dressing up Shiva and his consorts, he hops from one mythological set to another, Rajasthani ones in particular. 'They have so many gods,' he says. A far cry from the Dada Kondke numbers he used to do.
| Religion-hopping: Dharmesh Tiwari as Narad (left); and as John The Baptist (right) in Daya Sagar. |
Why the god rush? To begin with, there really is no business like the god business these days. After a short vanvas, when the gods were evacuated from the tube after the Babri Masjid demolition, Doordarshan brought them back, bringing as they did heavenly ad guarantees.
Take Dheeraj Kumar: he just can't help counting his blessings by the fistful. Om Namah Shivay, his Rs 42 crore mega serial which began some weeks ago with 16 sponsors, now has 26. The TRP is already 45 per cent. But the reigning god maker is far ahead: Ramanand Sagar's Ramayan, the mother of all electronic epics, started it all. But that was nothing.
With Sri Krishna, the manna is simply pouring. It made nearly Rs 30 crore for DD1 in just 50 episodes, according to a DD official, and has a 68 per cent TRP despite being recycled. This is the series' third incarnation: it started out in a cable incarnation after Doordarshan rejected it.
But after it was shown in many countries abroad, it made it to DD Metro and is now on DD1. A second coming has also been good for the Mahabharat, which has a TRP of almost 40 per cent.
Obviously, mythologicals have the blessings of the gods. And of the advertisers too. 'We are making history in ad revenue,' says Prem Sagar, Ramanand's son who looks after the marketing. Their good fortune, he says, has to do with his father's 'vision of Lord Krishna'.
Ramanand's CV describes him as the 'chosen postman of God'. The next epistle from above will be the 104-episode saga of Jai Durga, the epitome of all they have done so far. Says Prem: 'Lord Rama never said he was God. Lord Krishna said 'I am God but you will forget it'. But Durga comes from all three powers of the universe: she is made of Brahma, Vishnu and Mahesh.'
Daya Sagar Tv Serial Online
Shiv Mahapuran, viewers are invited to guess how many times Narad says Narayana. The three lucky winners get a silver coin with a Shiva on it.There also seems to be a holy alliance between adland and god-land. And it's hard to tell the difference sometimes. Shyam Ramanna created a computer-generated rhinoceros for the Ceat ads some years ago. In his pilot for Jai Ganesha, a similar rhinoceros carries the god Indra's chariot through the azure blue skies.
And just as Ramanna's Kawasaki mobike becomes a tiger - Laxmi bringing a heavenly flower to Parvati from Shiva becomes a sadhvi. And all the gods, rising out of the blue depths or descending into swirling waters, are not really that different from the Eveready battery emerging from those angry waters of fire.
In Jai Hanuman, the wind god Pawan stands over Hanuman's mother who is asleep. In his hand is a lamp, somewhat like the Life Insurance lamp. One flash of its laser beam in her stomach has her squirming, her whole body bathed in a dazzling light. And we know that she has conceived. Goddesses are also visited thus in Om Namah Shivay.
The God Factory has also spawned a new breed of special-effects specialists. A few of whom have spent the summer hunting for those magnificent machines in the US to get that ultimate combination: hi-tech and the sacred texts. Star wars and God wars - there isn't much of a difference.
| Mahabharat Katha: Following the successful rerun of the mega serial Mahabharat, the Chopras are ready with a special-effects-studded sequel. |
Crest with its image-processing Hal machine (short for hallucination?) is the closest to state-of-the-art. The special effects for Maa, Ramayanam, Jai Hanuman and Jai Ganesha were done here. The Hindu pantheon has 330 million gods and Hal 33 billion colours and shapes.
A little flick of the wrist and you have Kamadev and Rati dancing in computer-generated flowers, a bonsai on a table becomes Parvati's forest, Ravana cuts his own head, throws it in the fire and plonks it on again. Jai Ganesha, in fact, does not have any sets or props: all is maya.
His new Alias machine allows Ravi Chopra to cut off heads - for Mahabharat Katha - on a computer. And when his company B.R. Graphics gets the ironically-named Inferno machine, he can perform miracles: 'I can make a war of thousand seem like a war of 20,000.'
The Sagars are the pioneers in homegrown special effects for television. Their early underwater sequences were made for as little as Rs 60. Says Prem: 'I paid Rs 20 to a man to blow bubbles and Rs 40 to hire a fish tank.'
But they have also gone effects-hunting in the US. They need a lion which doesn't look computer-generated for Jai Durga to ride. Reality has to be virtual: a real lion would be too dangerous and an engineer in Vadodara is working at something between reality and virtual reality.
Krishnaswamy Associates has its own computers to create similar cobra-peopled seaworlds for its Buddha Jathakam. Others like Ramesh Meer have set up exclusive effects firms to keep the gods flying and the demons spewing fire.
Thanks to the machines, the war sequences may no longer, as Ravi Chopra puts it, 'look like dandiya ras'. The gods are becoming more 20th century. While Mistry's Shiva and the Sagars' Krishna take after Raja Ravi Varma's androgynous calendar gods, the newer ones have muscle and bite.
Dheeraj Kumar chose the lean and hungry 6-ft-2-inches Samar Jai Singh to play Shiva. The Chopra gods are largely hunks - only Rishab Shukla's Krishna with a Mona Lisa smile has something of the cherub about him.
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And so the God Factory's assembly-line production of mythologicals continues with a bottomless appetite for out-of-work actors. But who knows when those doors may shut and the gods too are computer-generated?
Daya Sagar Tv Serial Killer
- with L.R. Jagadheesan