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Movement is the debut studio album by English rock band New Order, released on 13 November 1981 by Factory Records. At the time of its release, the album was not particularly well-received by critics or audiences, only peaking at number thirty on the UK Albums Chart. However, retrospective critical reception has been very positive.

Slant Magazine placed the album at number 42 on its list of the 'Best Albums of the 1980s', saying it 'exists almost exactly in between Joy Division's post-punk sound and the synth-pop style that would come to define New Order and influence pop music for decades'.^[11]

Peter Saville’s Album Covers for New Order and Joy Division Many of Saville’s sleeves will be on display, alongside works by various contemporary artists including Jeremy Deller, Liam Gillick, Barbara Kruger and Raf Simons. New Order: Low-Life (Qwest). By Rob Tannenbaum, Musician, Jul 1985. Part of Rock's Backpages, The ultimate library of rock music writing and journalism. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to. See what’s new in the latest version of Logos Bible Software. Whether you’re preparing a sermon or doing personal devotions, Logos 8 includes the digital books and tools you need to understand and apply God’s Word with accuracy and conviction. Back in the 1980s, I had Low-Life; Power Corruption & Lies; Brotherhood; and Technique all on cassette.Substance is the only title I purchased on CD (and somehow Movement slipped through the cracks. A recent revived interest and purchase of additional works by The Smiths, Stone Roses, Happy Mondays and The Sundays has convinced me that a lack of New Order's work is a major hole in my CD. Discover releases, reviews, credits, songs, and more about New Order - Low-life at Discogs. Complete your New Order collection. New Order LOVE VIGILANTES Album 'LOW LIFE', Track 01 Factory, 1985.

Background[edit]

After the suicide of Joy Division's singer Ian Curtis in May 1980, and the subsequent shock for those surrounding him, remaining members Bernard Sumner, Peter Hook and Stephen Morris elected to carry on, albeit under a new name – New Order. With the exception of two songs, 'Ceremony' (first played live at Joy Division's very last gig, a little over two weeks before Curtis's death) and 'In a Lonely Place' (unreleased, but demoed in the studio), all the material played would be new.

A couple of songs on Movement stem from the initial songwriting session the band undertook in the summer of 1980. 'Dreams Never End' and 'Truth' were both played at the initial New Order concerts (still played as trio) in the US that September.^[12] At this point it was still undecided as to who should be vocalist. The interim solution was that all three members took turns at singing before finally deciding that Bernard Sumner should take the main vocalist's role with Peter Hook as back-up (though he sang lead on 'Dreams Never End' and 'Doubts Even Here'). The introduction in October 1980 of Gillian Gilbert, Stephen Morris's girlfriend, lightened the burden on Sumner who had to play guitar and keyboards and sing (something he found impossible to do simultaneously) and enabled the band to pursue a more electronic approach. Subsequently, the remainder of the songs that appeared on Movement were written and then recorded over a seven-month period 'in two big bits, and a whole lot of little bits', according to Sumner,^[13] as well as 'Mesh', 'Cries and Whispers' (both early live staples and used as B-sides), 'Procession' and 'Everything's Gone Green', the latter forming a non-album single released as FAC53 in September 1981.

Alla Prima is an excellent read. As a matter of fact, if you can't read, the pictures alone are worth the price of the book. Richard Schmid has advice and knowledge to inspire and guide any artist--whatever their level of expertise. I read the book cover to cover, attentive to every word. Absolutely the best book on Alla Prima (painting in one sitting) book ever. A virtual bible of how to tackle the job, with very detailed information. Pricey because he self publishes but well worth the price. Alla prima definition.

The producer of the album was once again Martin Hannett, who had worked with them as Joy Division; however, the rapport between producer and band had in the ensuing time eroded. Hannett was in a legal dispute with Factory Records and suffering from substance and alcohol abuse, and the band members—themselves still coming to terms with having to write and arrange songs without Curtis's ear and lyric-writing ability—found him uncooperative. It would be the last time they worked together.

As noted above, upon its release in November 1981—just weeks after the Joy Division retrospective/live double album Still—Movement was met with a tepid reception, with critics disappointed by what was perceived to be a lack of forward momentum after the 'Ceremony' single. It is rumoured that the band considered either re-mixing or even entirely re-recording the album, but time and financial constraints prevented this.^[14] Fortunately, a new song called 'Temptation' would provide the band with the necessary impetus and a new direction.

Sound[edit]

Musically, Movement is a transitional album. References to Ian Curtis appear on the songs 'ICB' (rumoured to be an acronym for 'Ian Curtis Buried', confirmed by Peter Hook in a 2013 interview)^[15] and 'The Him'. The expansion of the sonic palette heard on Closer is also present on this album with synths on all but the opening track and electronic percussion (especially on 'Truth'). Hook's bass takes on a melodic role while Gilbert provides the low end on the songs 'Chosen Time' and 'Denial'.However, despite this continuity, Movement also hints at New Order's distinct sound on its later albums. Tracks such as 'Senses' flirt with funkier guitar motifs than Joy Division, and 'Dreams Never End' is the only song on this album with the classic guitar-bass-drums line-up.

In a questionnaire interview with the fanzineArtificial Life (No.2, Nov. 1982), the band were asked if they were happy with the album to which they replied, 'We were happy with the songs, not all happy with the production.'^[14]Peter Hook later revealed, 'We were confused musically .. Our songwriting wasn't coming together. I don't know how we pulled out of that one. I actually liked Movement, but I know why nobody else likes it. It was good for the first two-and-a-half minutes, then it dipped.'^[16]

Artwork[edit]

The album's cover was designed by Peter Saville and is based on a poster by the Italian FuturistFortunato Depero. New rajasthani dj song free download mp3.

The shape created by the top three lines is an 'F' (lying on its back), which refers to Factory Records/Factory Communications Limited and the bottom two lines create an 'L' (lying on its front), the Roman numeral 50, the original catalogue was FACT 50. The blue colour of the lines was chosen by the band; the first copies in the US had the same design in brown on an ivory background.

• US vinyl (1981)

• Canadian cassette (1981)

• UK cassette (1986)

• US CD, 1st pressing (1988)

Track listing[edit]

All tracks written by Bernard Sumner, Peter Hook, Gillian Gilbert and Stephen Morris, except where noted.

Personnel[edit]

New Order

• Bernard Sumner – vocals, guitars, melodica, synthesizers and programming
• Peter Hook – 4- and 6-stringed bass, vocals ('Dreams Never End' and 'Doubts Even Here')
• Gillian Gilbert – synthesizers and programming, guitars, spoken words ('Doubts Even Here')
• Stephen Morris – drums, synthesizers and programming

Technical

New Order Power Corruption And Lies

• Martin Hannett – production
• Chris Nagle – engineering
• John and Flood – assistants

Release details[edit]

• UK 12' – Factory Records (FACT 50)
• UK cassette – Factory Records (FACT 50C)
• UK CD (1986 release) – Factory Records (FACD 50)
• US CD (1988 release) – Factory Records (FACTUS 50 CD)
• UK CD (1993 re-release) – London Records (520,018-2)

Charts[edit]

See also[edit]

Notes[edit]

1. ^Bush, John. 'Movement – New Order'. AllMusic. Retrieved 20 September 2011.
2. ^Modell, Josh (10 November 2008). 'New Order'. The A.V. Club. Retrieved 21 August 2015.
3. ^Sheffield, Rob (9 December 2008). 'Let's Dance'. Blender. Archived from the original on 11 January 2013. Retrieved 8 October 2013.
4. ^Howe, Sean (7 November 2008). 'New Order: Reissues'. Entertainment Weekly. Retrieved 19 June 2016.
5. ^Ewing, Tom (10 November 2008). 'New Order: Movement / Power, Corruption and Lies / Low-Life / Brotherhood / Technique [Collector's Editions]'. Pitchfork. Retrieved 20 September 2011.
6. ^McEwen, Simon (May 2017). 'New Order: Movement'. Q (397): 119.
7. ^Gross, Joe (2004). 'New Order'. In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 582–83. ISBN0-7432-0169-8.
8. ^Harrison, Andrew (August 1993). 'Republish'. Select (38).
9. ^Quantick, David (24 September 2008). 'New Order – Reissues'. Uncut. Retrieved 19 July 2015.
10. ^Christgau, Robert (4 May 1982). 'Christgau's Consumer Guide'. The Village Voice. Retrieved 21 July 2015.
11. ^'Best Albums of the 1980s'. Slant Magazine. Retrieved 1 September 2012.
12. ^'Concerts in 1980 by New Order'. neworderonline.com. Retrieved 20 September 2011.
13. ^Johnson, Mark. An Ideal For Living Bobcat Books, 1984 ISBN0-7119-1065-0 p.76
14. ^ ^abJohnson, Mark. An Ideal For Living Bobcat Books, 1984 ISBN0-7119-1065-0 p.84
15. ^Whittaker, Richard (17 September 2013). 'Peter Hook: Life in a Northern Town'. Austin Chronicle. Retrieved 3 October 2015.
16. ^Middles, Mick. From Joy Division to New Order Virgin Press, 1996 ISBN0-7535-0041-8 p.168
17. ^'Discography New Order'. Charts.nz. Retrieved 25 July 2019.
18. ^'Chart Stats: New Order'. ChartStats.com. Archived from the original on 25 May 2012. Retrieved 2 October 2008.
19. ^'Indie Hits 'N''. Cherry Red Records. Archived from the original on 6 June 2011. Retrieved 1 September 2012.

External links[edit]

New Order's third LP, Low-life, was, in every way, the artistic equal of their breakout, 1983's Power, Corruption & Lies. The point where the band's fusion of rock and electronics became seamless, it showed the bandmembers having it every way they wanted: heavily sequenced and synthesized, but with bravura work from Bernard Sumner's guitar and Peter Hook's plaintive, melodic bass; filled with hummable pop songs, but still experimental as far as how the productions were achieved. The melodica-led pop song 'Love Vigilantes' was the opener, nearly identical as a standout first track to 'Age of Consent' from Power, Corruption & Lies. Next was 'The Perfect Kiss,' one of the first major New Order singles to appear on an album. (The band being newly signed to Warner Bros. in the United States, it made perfect sense to include such a sublime piece of dance-pop on the LP.) Even as more and more synth-heavy groups like Eurythmics and Pet Shop Boys began approaching New Order's expertise with the proper care of electronics in pop music, the band still sounded like none other. 'This Time of Night' and 'Elegia' evoked the dark, nocturnal mood of the album's title and artwork, but none could call them mopey when they pushed as hard as they did on 'Sunrise.' Only 'Sub-Culture,' tucked in at the end, has the feel of a lost opportunity; remixed for a single release, it became much better. But there was no mistaking that New Order had reached a peak, experimenting with their sound and their style, but keeping every moment wrapped in an unmistakable humanness.

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